/ 但丁和拿破仑 /
但丁和拿破仑
19世纪初布雷西亚文化中的建国神话
该展展出80多件作品，题为「但丁与拿破仑」，由Roberta DAdda和Sergio Onger策划：来自公众和私人收藏的绘画、雕塑、素描、版画和奖章，与Paolo Tosio的家庭博物馆的进行一次历史性对话。
我们可以这些收藏品中找到欧洲对这两个人物的崇拜和他们所体现的理想，特别是在19世纪；在这种情况下，在布雷西亚，由于保罗-托西奥（1775 - 1842）的存在，这两个人物的收藏被建立起来。这位贵族在他由鲁道夫-万蒂尼（Rodolfo Vantini）设计的宫殿里聚集了重要的艺术收藏，其中有拉斐尔、洛托和莫雷托的杰作，佛兰德和北欧绘画，以及围绕但丁和拿破仑的神话委托创作的新古典主义和浪漫主义作品，以及一些墙面装饰品等。
展览丰富并强调了托西奥为他的家所设想的教育功能，这当然也是他杰出的教区成员所共有的功能：即为他自己的家赋予民事功能，构建他自己的个人万神殿，选择并培养他同时代人所依赖的象征性意象。
在展出的作品中有：安德里亚·阿皮亚尼（1754-1817）绘制的《拿破仑肖像》，由于近期的修复，现在被重新视为珍贵的原作；同一艺术家为米兰皇宫设计的《Fasti》；贝尔特·索尔瓦尔森（1770-1844）绘制的非凡的《Ganymede》；皇室委托吉安巴蒂斯塔·吉戈拉（1767-1841）绘制的微型画，以及路易吉·巴西莱蒂（1780-1859）创作的绘画，这是一幅小型浪漫杰作，可追溯到1821年，很可能是在命运的5月5日不久后完成的。
该项目由Skira出版的目录完成，由Paolo Boifava、Angelo Brumana、Bernardo Falconi、Luciano Faverzani和Fernando Mazzocca撰写。
展览详情
地点：Palazzo Tosio – Ateneo di Brescia Accademia di Scienze Lettere e Arti
时间：2021/05/05-2021/12/15
门票：免费入场 需要预约 需要绿码
英文原文 English Version
Dante and Napoleon in comparison.
An exhibition, a book, a program of appointments, guided tours, workshops and an extraordinary opportunity to visit a neoclassical house-museum: in Brescia from May 5 to December 15, 2021.
Ateneo di Brescia Accademia di Scienze Lettere e Arti and Fondazione Brescia Musei celebrate two myths 700 years after Dantes death and, at the same time, 200 years after Napoleons death.
A project that investigates the values, ideals and feelings that gathered around the two characters, describes an era, its protagonists, collecting, trends, under the banner of a common denominator: Europe.
More than 80 works on display, entitled Dante and Napoleon, curated by Roberta DAdda and Sergio Onger: paintings, sculptures, drawings, prints and medals from public and private collections, in dialogue with the permanent path of the house-museum of Paolo Tosio.
The cult for these two figures and for the ideals they embodied finds various testimonies in the Italian and European collections that were formed especially in the nineteenth century; in this case in Brescia, thanks to Paolo Tosio (1775 - 1842). The nobleman gathered in his palace, designed by Rodolfo Vantini (the first seat of the citys Picture Gallery co-titled to him, transferred in 1904 to Palazzo Martinengo and now the seat of the Athenaeum) an important art collection with masterpieces by Raffaello, Lotto and Moretto, Flemish and Northern European paintings, as well as commissioning neoclassical and romantic works, as well as some wall decorations, around the myth of Dante and Napoleon.
The exhibition enriches and underlines the didactic function already imagined by Tosio for his home, a function certainly shared by the members of his illustrious circle: that of assigning to his own home a civil function, building his own personal pantheon, selecting and cultivating the symbolic imagery that his contemporaries had to feed on.
Among the works on display: the Portrait of Napoleon painted by Andrea Appiani (1754-1817), rediscovered now as a precious original thanks to the recent restoration, the Fasti, conceived by the same artist, for the Royal Palace of Milan, the extraordinary Ganymede by Bertel Thorvaldsen (1770-1844); the miniatures commissioned by the imperial family to Giambattista Gigola (1767-1841), as well as the drawing by Luigi Basiletti (1780-1859), a small romantic masterpiece, datable to 1821 and most likely executed shortly after the fateful May 5.
The project is completed by a catalog published by Skira, with contributions by Paolo Boifava, Angelo Brumana, Bernardo Falconi, Luciano Faverzani and Fernando Mazzocca.
期待下一次的文化遇见 
